And with this, I’ll conclude this mini series. The last scent I’ll talk about is Megaleion.
Top notes: Cardamom co2 Absolute, Cassia, Cinnamon Bark, Fragrant Wine (accord), Lemongrass
Middle notes: Australian Sandalwood, Balm of Gilead (accord), Spikenard, Turkish Rose Otto
Base notes: Copaiba Balsam, Costus, Myrrh Gum, Olibanum (Frankincense), Peru Balsam, Pine Resin, Sweet Flag
This one was the one that moved me the least. Not to say I don’t like it, I do, but it feels more restrained in its olfactory approach. It smells like something Egyptian priests might have worn, and it feels more masculine than the rest. It could be I’m associating it with priests due to the frankincense in the opening. And when mixed with cardamom, I just get the priest in Egypt association springing up in my mind. 🙂
Anyway, the opening is incensey-green, mixed with cinnamon and cardamom but cinnamon in significantly smaller presence than in Keni. It’s warm, resinic and the fragrant wine accord is again in my mind connected with the cardamon and the warm wine you drink in winter. And that’s about the most sweetness you can expect from it, if you associate fragrant wine with sweetness. This is much drier than the other two, like smoky wood, burnt in a temple perhaps.
I’m aware Dawn wrote that this is “Perhaps the world’s first “designer fragrance”… – but I can’t help think of temples and priests when smelling it. But not Christian variant of incense burned in a church (which is a smell to make me nauseous instantly), more the spicy, dry version that I come to associate with dry climates, sun and temples – Egypt is a good picture. 🙂